Frithjof Schuon Archive
A Resource on Frithjof Schuon’s Life and Teachings
This site is the most comprehensive repository of information pertaining to the life and work of Frithjof Schuon (1907-1998); materials include published articles, personal correspondence, private papers, poems, photographs, and works of art.
Frithjof Schuon is the preeminent spokesman of a school of thought that focuses on the expression and explanation of the Perennial Philosophy. This philosophy expresses the timeless metaphysical truths underlying the diverse religions; its written sources include the revealed Scriptures as well as the writings of the great spiritual masters. Because these truths are permanent and universal, the point of view may thus be called “Perennialist.” The Perennial Philosophy is an important perspective that can inform the study of Comparative Religion, Anthropology, Art, Literature, and many related areas.
Schuon was a philosopher in the tradition of Plato, Shankara, and Eckhart, and he wrote over two dozen books on religion, metaphysics, sacred art, and the spiritual path. Describing Schuon’s first book, The Transcendent Unity of Religions, Nobel laureate T. S. Eliot wrote, “I have met with no more impressive work in the comparative study of Oriental and Occidental religion”, and world-renowned religion scholar Huston Smith said of Schuon, “The man is a living wonder; intellectually apropos religion, equally in depth and breadth, the paragon of our time”. Schuon’s books have been translated into over a dozen languages and are respected by academic and religious authorities alike. Schuon’s writings remain unequaled in setting forth the principles of perennialist thought as well as their applications on the spiritual, aesthetic, and other related levels.
Besides his accomplishments as an author, Frithjof Schuon was also a gifted artist and poet. His art and his poetry flowed naturally from his awareness of God’s Presence in creation. Catalogue notes from a museum display of Schuon’s art explain that “springing as they do from his rich and unique personality, Schuon’s paintings…have a rare value, not only as regards artistic merit but above all because of their gift for manifesting the human soul at its noblest and most beautiful—hence, as a vehicle for Truth.” The sense of the sacred figures as much in Schuon’s art and poetry as in his philosophical writings.
The story of Schuon’s life presented in these pages demonstrates how his own intellect, personality, and actions reflected the elevated metaphysics, spiritual insights, and artistic creations that comprised his body of work.
This online resource brings together, through a survey of his many-faceted dimensions, Frithjof Schuon’s important contributions to the manifestations of the timeless Truth.
Featured Books
Lieder ohne Namen IX-XII
The German sense poems of Frithjof Schuon form a metaphysical and spiritual whole that unites the essential teachings of this master in a form that is both accessible and immediate.
Featured Poems
Adastra and Stella Maris: Poems by Frithjof Schuon-Sacrifice
It is strange that in all religions
Adastra and Stella Maris: Poems by Frithjof Schuon-Distinguo
Thine ego should not be enclosed in Mâyâ;
Adastra and Stella Maris: Poems by Frithjof Schuon-Symbolism
A black holy man once said to me,
Featured Articles
A Sage for the Times: The Role and the Oeuvre of Frithjof Schuon
Besides a summary of Frithjof Schuon’s role in the school of traditionalist thought, and his groundbreaking work, Oldmeadow’s essay also includes interesting sections on Coomaraswamy and Guénon, the other two seminal authors of this school of thought.
Book Review of “In the Tracks of Buddhism”
Christopher Woodman reviews Frithjof Schuon’s In the Tracks of Buddhism, discussing both the material of the book and the difficult language it is presented in. Woodman calls the book “as difficult as it is important” and “uncompromising”; deeply informative and deeply challenging, the latter due to the terse wording which forces the reader to pay rapt attention. According to Woodman, the book assumes a certain familiarity with Buddhism on the part of the reader, with the exception of the traditions of Jodo and Shinto which are gone into in detail and explained assuming a poorer understanding.
